More than twenty abstract, vertically aligned infructescent stems in monochrome white represent a minimalistic landscape in a state of becoming, blooming and dying. The white and the abstract forms of the sculpture form a strong contrast to the natural surroundings of the botanical garden.
The artist is interested in nature in all its different facets. Materials from nature are supplemented, revised or redesigned. Natural and human-influenced changes also flow into the work.
Since completing his studies at the State Academy of Fine Arts in Karlsruhe, Lorenz has regularly taken part in exhibitions at home and abroad. The artist's works are found in public and private collections.
Lorenz lives in Landau in the Palatinate. He is married to goldsmith Pilar Carim Ferrus. Both have their studios in St. Martin, Palatinate.
